What emerges when ancestral knowledge encounters the extractive logic of late capitalism? When ancient cosmologies intersect with corporate machinery, do we witness a mere collision, or does something altogether new gestate in the spaces between worlds? The pregnant pause, introduced by these questions, summons an interstitial, symbiogenic realm that refuses the neat categories of tradition and modernity, nature and technology, sacred and profane.

Patricia Domínguez’s cybernetic altars conjure an ecosystem where serpents commune with drones, where pre-Columbian artifacts cohabitate with corporate imagery in acts of unlikely, unholy kinship. These shrines to Water, Earth, Animals, Plants, and the Invisible do not merely offer an inventory of worlds but create conditions for their mutual transformation. Drawing on extensive ethnobotanical research, Domínguez activates what she describes as strategic withdrawal from digital entrapment in favor of interspecies alliance, in order to access planetary memory and its ancient, generative wisdom.